Title: Matrix Code
Date Completed: April 2019
Design: Lord Libidan
Pop Culture: The Matrix Trilogy
It’s rare for me to continue editing a pattern whilst stitching a project. It is, after all, the worst time possible to change a cross stitch pattern. However, that didn’t stop me with this project! I edited it 4 times during stitching.
I guess we should start back at the beginning. I had just finished 4 back to back Pikachu on my animated running Pikachu cross stitch, and I hadn’t got anything to stitch. That isn’t a new problem, in fact, I’ve spoken about getting cross stitch inspiration before, but unlike previous times, this was on purpose. I know that might sound crazy, but I stitch a lot of different things, from loads of areas, and wanted to go back to basics and see what really excited me. From the back of this I came up with a load of big projects, however there was one that I thought would be small. I was wrong.
I’ve done a lot of interface/computer screen stitches in the past, like my Voyager Star Trek LCARS cross stitch and really wanted to do something similar. I had just so happened to see that it was the 10 year anniversary of The Matrix and I remembered one of the best computer screens in cinema history. The Matrix code.
I grabbed an image of the code from wikipedia and started charting and soon realised, that despite the apparent simplicity of the code, it was actually super complicated. So my first step was to create a whole cross stitch alphabet but much like the original code, I needed letters that looked recognisable, but weren’t. I made a total of 29 characters, which I then had to put through a random number generator to place each letter in a massive grid. I had originally wanted to make a massive pattern, however less than 1/10th of the way through the pattern was taking me AGES. And whilst it was far from a 100 hour cross stitch pattern, it was too much.
I cut the pattern down, and finished the pattern.
At this point all seemed good, I picked out 18 count fabric to get nice small letters, and make it fit a rough landscape frame. However, when stitching, and rewatching The Matrix, I realised that 90s screens aren’t landscape, they were square. So the first cut came in the form of the pattern becoming a lot more square (not perfectly however). The second change came in the form of an error on my part. Instead of the whole height, I missed out two letters (I really should have gridded by cross stitch). I cut the pattern down again, followed by a further reduction in width after I realised the pattern wouldn’t be square enough. Finally, I cut the last line of code off as I ran out of green DMC 700.
However, despite all of that, its still too big to frame, looks too much like Japanese and is too bright. However, I REALLY loved stitching this. I haven’t approached a lot of 90s movies, prefering the 80s, and really loved the computer screen part of it. I recon the whole nothing to stitch thing worked.
For this weeks cross stitch pattern spotlight we have a double feature. I really struggled on picking which one of these patterns to go with, so went with both!
This weeks theme, is dinosaurs. Whilst you can find a whole load of Jurassic Park inspired cross stitch patterns online, its rare to see a skeleton. Mostly, this is down to how dang hard they are to turn into patterns. However SongThread has not only managed to make super accurate dino skeletons, but put a whole load of fun into them with the addition of a crazy cat. Whilst I’m a self confessed dog fan, these are just too good to pass up.
This pattern was found on Etsy.
I was on a facebook group the other day and I heard a seller of pattern software say “designers will make you think they spend 100 hours on a pattern, but you can do it yourself in 30 seconds!” Whilst this sounds like a great sales pitch, it put my back up. You see, whilst I’m not a designer per-say, this just isn’t true. For a few reasons. So, I decided to make sure the message was straight when it comes to pattern making.
Does it take 100 hours to make a pattern?
Does it take 100 hours to make a commerical pattern?
How long does it take?
Well, it might take 100 hours, it might also take 30 seconds. Yes, I see how confusing that is.
I have spent 100 hours making a cross stitch pattern, and I’ve also spent 30 seconds. When it comes to pattern making, there are a few things you need to take into account: Complexity, experience & quality.
I’ve spoken many times about finding the right cross stitch pattern software for you and I’m always talking about what you need it for. Some patterns are simply harder to make thanks to different elements. Let’s take a few of my patterns as examples.
The first is my transforming cross stitch which whilst having a simple color palette, was totally new. There wasn’t an image to work from to start, there wasn’t a guide on how pieces could go together, and there wasn’t a nice easy way to make the pattern. As a result I had to put each stitch together, in such a way that it made sense when making a series of boxes, that then get strung together to move. This pattern took me 100 hours.
However, the next example is my N7 mass effect cross stitch. I took an image, put it through a pattern maker, and stitched it. It took me 30 seconds.
The difference between these two was how complicated the pattern was, and how much I could work from to start. Pattern designers need to stay way from anything possibly copyrighted, so have to make everything themselves, which takes time.
The second thing is experience. If you’ve been making patterns a while, you get the software, you get the way you need to make a pattern, you get the tools and can picture exactly what you want before you start. As a result, it doesn’t take that long. Again, lets use some examples.
The above two patterns were roughly the same amount of work. They have similar stitch counts, similarly complex and they’re similar in design. However the difference, is they were made a year apart. The first, the Portal tattoo cross stitch took me 100 hours. The second, the Pokemon tattoo cross stitch took me 5. Yes, that’s 20 times less, in only a year.
The final thing is quality. We’ve spoken about quality of pattern makers before in our post about if free cross stitch pattern makers better than paid however lets put that to a side for a moment, as pattern makers themselves aren’t to blame here. You can make a 30 second pattern in any pattern maker, and you can make a 100 hour pattern in any pattern maker too.
The difference, is what you do with the time. You can add dithering, you can reduce stitches, colors, add in effects, change the tones, you can rearrange stitches and move things around. The pattern you make in 30 seconds, is going to be a considerably worse pattern thanks to that. If those extra 99 hours and 59 minutes and 30 seconds were worth it or not is besides the point.
Designers want you to spend your money on their patterns. As a result, they want to give you a quality product, so they spend more than 30 seconds on a pattern.
So do designers take 100 hours on a pattern?
Well, its hard to say. However, I doubt it.
We know their patterns are detailed, they can’t work from imagery so have to a make it themselves, and they make high quality patterns. However its their job. They’ve been doing this professionally for some time, and as a result, should be significantly faster than the rest of us at pattern making. So yes, they might take 10 or so hours, but not 100. In fact, the two projects I’ve shown above that took me 100 hours, were the only two, and they were both made only 1 year into me starting to cross stitch.
That said, I can guarentee you that any pattern designer worth their salt can make a considerably better pattern than any 30 second pattern maker.
Going back to the original quote “designers will make you think they spend 100 hours on a pattern, but you can do it yourself in 30 seconds!” I would have to say, by in large, its kinda correct. Designers do spend a long time making patterns, and you can make one yourself in 30 seconds. But those two patterns aren’t comparable.
For our pattern spotlight this week I wanted to focus on something people often look for; Pokemon patterns. However with the Pokemon company being rare to give out licenses (or at all in cross stitch), finding a piece that is copyright free is very hard. But not impossible…
This week I’ve decided to feature a pattern by MetamonPatterns. First off, this is not copyrighted. The reason actually comes down to the sprites themselves; before the Pokemon Gold and Silver games came out, a demo was made avaliable at spaceworld 1997, and it included these three pokemon. They were cut from the original game however, so were never copyrighted.
That isn’t what makes this pattern great though (although I love a pattern with a cool story behind it), its the telling of the story. Using a classic Gameboy border with both Japanese and English names makes this piece more than just an average Pokemon pattern. The little nods to the beta Pokemon from spaceworld at the top and bottom add to telling that great story.
This pattern was found on Etsy.
I’m sure you’ve all been in the situation where you have the little ones running around bugging you constantly asking “what you doing?” well, sometimes explaining cross stitch isn’t enough, and you need to let them try it. But with all those sharp needles, threads and complicated patterns, kids can sometimes get bored. OK, they ALWAYS get bored. But with some clever planning, you can get any kid to love trying cross stitch. You might not win over the playstation, but they’ll enjoy it all the same.
Before anyone starts teaching a child to cross stitch, you should get ready. This can be a whole variety of things, but the big three, are the pattern, the materials, and the tools.
Picking the right pattern
The first thing, is you’re going to need an appropriate pattern. Pick something small; something you could do in a few hours MAX. Make it simple color blocks, and make it something a kid would want to stitch. This could be something simple like a Star Wars character, or a Batman logo; or even just a pretty flower.
Picking the right materials
However there is a slightly more important thing you need to think about; the materials. Whilst we’re used to stitching on 14 or smaller, its just not going to be easy for a child to use, so try some 11 count. It might also help to get plastic canvas rather than aida, and even better you could get a wooden cross stitching board.
Thankfully, these two first steps can be solved nice and easy thanks to kits you can get online. These can come as cross stitch subscription boxes like the Mini Little Stitchers Club or something from Etsy. They come with hoops, fabric/boards, suitable patterns, threads, needles and sometimes sweets too!
Picking the right tools
Following on from picking the right materials, you may also need to think about the right tools. Are those razor sharp Japanese snip scissors really the best thing for little fingers? And what about those needles? Thankfully you can pick up plastic needles, and round nosed scissors easily (you probably already have the scissors if you’re a parent) so these shouldn’t be trouble, but don’t forget them!
Time to stitch
So to start, explain. Explain the pattern, as a kid looking at a massive grid of weird black and white symbols, they’re bound to be confused. Explain what each part of the process is, and let them watch you.
It should also be noted that as kids are visual learners, showing them a video like peacock & figs how to cross stitch video can really help them get to grips with what they’re meant to be doing.
Let them learn
But you should also let them learn themselves. Don’t bombard them with hundreds of terms, fancy options in stitching and clever tips. Just the basics. They’ll find their own rhythm and way of stitching, just like you did. As time goes on and they pick up another project; maybe you can start adding the options then.
And this is the most important step; encourage them. They are BOUND to get it wrong somewhere. If its stitches in the wrong direction; don’t mention it. If its a knot, help them remove it and make them use shorter pieces to avoid further knots. Make sure its still fun for them; not a chore!
With commercial space flight now a reality, with Virgin Galactic apparently taking everyday citizen’s into space this year, there is a lot going on in space. Obviously that means there’s loads going on with space cross stitch patterns, so to narrow things down a little, today, we’re talking about cross stitch patterns that focus on rockets and space shuttles.
As the spotlight was narrowed down in choice, we got a late contender in the form of PRINTandDECOR’s space shuttle pattern. Initially this looked fairly simple, but as you look further, you can see just how complicated and interesting this pattern is. With the solat system diagram in the back, with actual planets super imposed on top, the super stylised Mars the shuttle is taking off from and the sashiko cloud like smoke coming out of the engines shows that this designer really knows what their doing.
Most cross stitch patterns are as simple as you can see, but by making objects progressively smaller, and making the solar system diagram almost hidden in the deep background, this pattern is truly a special kind of clever.
This pattern was found on Etsy.
For my most recent project I made an animated cross stitch, specifically an animated Pikachu cross stitch. The idea for it came from the Xstitch Mag which featured a zoetrope by Tom Katsumi. I fell in love with it as soon as I saw it and new I had to give it a go, but with a geeky twist. However, that was far from the first animated cross stitch I’ve seen, so I decided to round up some of the best the web has to offer!
Of course, I have to start with Tom Katsumi’s space cat, which is actually a cleverly made zoetrope using 12 different images to make a moving picture. Not only is this a fantastic example of animation but the cross stitch goodness was a massive inspiration.
However, I think I may know where Tom got his own inspiration, as back in 2015 The Wild Stitch created an earily similar, and just as trippy, animated cross stitch cat.
OK, this is mine, but in fairness, this list was put together by someone else, so I think that’s OK.
RuPaul Cross Stitch Animation Workshop
The RuPaul cross stitch animation workshop is probably the best known animated cross stitch out there, as not only was it created with 35 cross stitchers, but also asked for creative coloring of RuPaul\s face. Originally planned by Aubrey Longley-Cook, who has created a whole slew of animated cross stitch himself, this piece was everywhere on the web back in early 2013.
Jennifer Norm isn’t a name you hear in cross stitch a lot, and frankly, finding her work is hard at best, but one video she created back in 2011 is the earliest example of animated cross stitch I can find anywhere. Unlike the others on our list is actually a combination of cross stitch and some very clever photoshop work, but it grabs the essence of Dance Dance Revolution perfectly.
The first 100% stitched animated cross stitch I could find however, was back in 2012 with this awesome Duck Hunt by thereminista, who we sadly haven’t heard of since. A shame too, as this was an idea that has inspired so many…
So many, including music video producers. Specifically, animators Jonathan Chong and Clem Stamation who made a whole music video in the cross stitch style, all be it digitally, for the band Husky’s single Ghost.
With an overwhelming amount of cross stitch patterns on an ever increasing list of websites, we’ve decided to help the cross stitch community out by searching the web to find you an awesome pattern from one category a week. These cross stitch patterns will be picked based on their style, creativity and most importantly; their quality. In fact, we’ll only post patterns that we’ve seen stitched examples, seen the pattern, and we know they’re free of copyright.
The best news? These posts are in addition to the once a week post we usually post.
This week we’ve decided to start with Marvel. Afterall, the new Marvel movie comes out tomorrow; its an end of an era and the start of a new, so its about time we looked back at those superheroes who made cinematic history.
When it comes to Marvel, there are so many patterns out there; thanks to the sheer volume of films, that its hard to make a choice. However when we saw xstitch4love’s gauntlet design we knew we had to feature it. The gauntlet is simply put; THE symbol of the Marvel movie universe so far.
Featuring every main character from the previous films in black and white with the bright stones standing proud really makes you realise just how poignant the recent movie will be, how far we’ve come, and what will become of the Marvel universe in the future!
This pattern was found on Etsy.
In this issues XStitch Magazine I wrote about love, specifically love of cross stitch, and how there are different levels of love. Everyone here probably loves cross stitch, but to what degree?
But then someone asked me “but what is it about cross stitch that you love”? And I honestly didn’t know. It’s not that theres nothing to love, there is loads, but what exactly is the thing I love?
So I start to think about my cross stitch tasks. I know that when I first started the thrill was in the finish. I still think back to my tiny highland cow cross stitch, my first ever, and the thrill of finishing was amazing. But if this was the thing that I loved, I would do tiny stitches over and over, but I find myself regularly doing massive cross stitches such as my Moon Light In Yasaka Pagoda Cross Stitch.
So could it instead be the pattern making? After all, now-a-days 100% of the stitches I create are of my own design. Well, honestly, I only create patterns as I can’t really find something I want to stitch. I’m also a massive advocate of pushing boundries in cross stitch too.
So maybe its just that ‘on more stitch’ feeling? Maybe. We’ve covered how cross stitch is great at reducing stress, but I don’t have a super stressful life (although I wonder if that is because of the cross stitch…).
I’m honestly not sure if its one of these, all of these, none of these, maybe even the fact that there are simply so many things to love. However I do know one thing; the thing I hate is frogging. Thankfully frogging has gotten easier lately.
Jump to Android
Jump to iOS
Jump to Windows & Mac
Best ANDROID markup software:
ezPDF ($4) – 10/10Based on 321 reviewsFrankly ezPDF has everything you want from a markup app. Its light weight (doesn’t take up too much space on your tablet/phone), can open any pdf with ease, and its mark up tools appear to be designed especially for cross stitch. You can undo incorrect markups, even if they were from weeks previous, and the app saves as you go, meaning no mistake app closing loosing your work.
XODO (FREE) – 9/10Based on 185 reviews Free, and therefore right up there with favourability, XODO is a good alternative to ezPDF. Its not as easy to use, and that’s why it gets a worse score, but there is one advantage XODO has over ezPDF; it can be used across devices. All you need to do is set up an account and you can use the android app or go online (through your computer, iPad, phone or any internet enabled device (including your smart TV)) and you can pick up where you left off. Great for those who want multiple devices.
Foxit (FREE) – 8/10Based on 82 reviewsFoxit is a great app for editing pdfs on the go, however its built with that purpose, and therefore doesn’t easily control cross stitch markups. It still works, its free, and its great at opening any PDF, however the app is considerably larger than the alternatives, and its just not as good on our tests.
Best iOS markup software:
iBooks (FREE) – 10/10Based on 1091 reviewsiBooks probably wasn’t what you were thinking when you read this list, but as a built in app, it does everything you need a cross stitch mark up app to do. Not only is it built in, therefore free, but is lightweight, has a easy to use format, and saves as you go. Its not fantastic at loading times, but will open anything you throw at it.
Cross Stitch Markup (FREE) – 9/10Based on 78 reviews The new app from Ursa software (the makers of WinStitch and MacStitch) is a dream to us, and is the ONLY app on this list specifically made for purpose. It’s frankly, brilliant. But there is one big issue, and that’s its dependancy on .chart files, a file format specifically made for the app. One day I’m sure they’ll be everywhere, but at the moment, finding a .chart is actually kinda hard.
Goodnotes ($12) – 8/10Based on 27 reviewsGoodnotes is a brilliant app, its on its 4th generation, its been made to do pretty much anything you can think of to a pdf with ease, and its a dream to use. But its also the most expensive app on the list. If you’re aching for a great app that’ll be supported for decades to come, Goodnotes is it, but with many free alternatives, I wouldn’t go with it for my first choice.
GoodReader ($8) – 7/10Based on 18 reviewsGoodReader is pretty much a carbon copy of Goodnotes, so the same applies from a review perspective, but with the lower cost comes less innovation. They’re always playing second fiddle to Goodnotes.
ezPFD ($2) – 4/10Based on 312 reviewsezPDF reviewed with our android users as the best app by far, but with the iOS app, everything is different. Hard to install, barely works, late updates, large install file, and not as easy to use as the android version. I’m afraid ezPDF just lets the side down on iOS.
Best WINDOWS/Mac markup software:
WinStitch is expensive for a markup app, but its not a markup app. In fact, its a fantastic bit of software for making your own cross stitch patterns, it even reviewed as the best windows cross stitch pattern software. What makes it helpful however, is its also able to mark up cross stitch patterns. Unlike its iOS app brother, it can do it on all pdfs too. The issue; they should be made from within WinStitch to start.
XODO (FREE) – 9/10Based on 185 reviews XODO is a great app, its a great online platform, and therefore, its great on PC or Mac. You see, so long as you have a login, you can access your patterns on any computer and pull up its great markup software. Its easy to use, free, and fast.