We’ve explored the blurred line between cross stitch as art or craft before, and wherever you stand on that issue, there is one thing that can elevate anyone’s cross stitch; framing.
We’re also no stranger to framing cross stitch either, we have a great guide on how to frame cross stitch. But this isn’t the only way to frame cross stitch, you can also mount them to canvas.
There are many advantages to mounting cross stitch to canvas instead of framing them normally. Firstly, you don’t have to concern yourself with framing with or without glass, which is a headache on its own. The framing can all be done at home, is super easy and cheap and the results arguably look better than standard framing.
However, there are downsides too. The two main ones are that the cross stitch is exposed to the elements, meaning you have to be careful where you store it to keep it looking its best. Therefore, before you read any further, we suggest you go and wash and iron your cross stitch. But also, and this is a big one; its a permanent framing technique. Once mounted to canvas, removal can cause serious issues with your cross stitch, and stop you from framing it in the future.
How to Mount Your Cross Stitch
OK, so you got this far, you’ve heard the negatives, but you still want in? Great, now you need a canvas.
There are loads of types of canvases out there, and frankly, it doesn’t really matter which one you get. Just be aware that your cross stitch needs to have enough fabric around it to cover the front, sides and an inch or two of the back. If you’re really committed to having it mounted to canvas, but can only just cover the sides, that’s OK too, but you’ll need some type of cover for the sides to make them look nice once you’re done.
Next up, you need to position your cross stitch on the aida. This is a super important step, as, I repeat, this is a permanent thing. If you put it in the wrong place, fixing it is a real pain. There are loads of ways to do this, from simple measuring to using fancy middle finding rulers. I’m going to gloss over this though; as you’ve got this, whatever way works for you.
Then, we staple. Start by taking a stapler and stapling the top center of the work (on the back). Then pull the aida tightly up from the bottom and staple there too. You should aim to get a nice tight bit of aida, but not distorting your cross stitch. This is, by far, the hardest part of the whole thing. I keep flipping from front to back to make sure its perfectly placed before I staple it. All that effort now will help it look perfect.
Once you have those staples in, repeat this process for all-around your work.
Then comes the corners. For a lot of people, the corners pose a concern, but honestly, they’re easy to deal with. The first bit of advice I’ll give you is, do not follow a guide on how to make corners on canvas. These guides are specifically for creating the canvas you’re mounting to, and require the canvas to be stretched. Your aida won’t like you if you try to stretch it like that.
However, exactly how you want to do it, is up to you. I like Hannah Hand Make’s approach to tuck as much in as you can with your nail, pull the excess around the back, and stick a staple in that sucker.
Once done, flip your work around, stand back and admire. You might also want to think about signing your cross stitch too.
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I saw this in a cross stitch store years ago what they also did was put cling film on it to protect it from dust.