Title: USS Voyager LCARS Ship Blueprint
Date Completed: October 2018
Design: Lord Libidan
Pop Culture: Star Trek Voyager
The idea for this project started nearly 2 years ago when I had recently watched ‘The Martian’. I was instantly enthralled by the control screens on the spacecraft, on the Mars base, and in mission control. My initial idea was a reproduction of the ship schematic in a smaller scale, however, it just looked blocky. I knew I had to redo it, but fear of getting it wrong kept me back for a long time.
Move on a few months whilst I had to do some other projects, and I watched the new series of Star Trek Discovery. Finally, the whole design came together in my head. In the same way that The Martian had different screens for different ships/sections, so did Star Trek, with its LCARS programs. I had actually done some work with LCARS before in my Star Trek book, where I designed a LCARS interface, however it had a joke on it, and wasn’t something you’d see in real life. I decided, therefore, to have a second go, this time creating a fake panel, which you might actually find on the ship.
My favorite Star Trek is Voyager, and when searching came across a wealth of screen used designs I could draw from. I also had a framed Pokemon triptych I had been meaning to update, which has a unique long frame. Therefore I started to design a screen that you might find throughout the ship itself of a full ship-wide schematic including a mini-map, and basic ship updates. Effectively, a quick reference map, which plays into my well-known love of maps, like my Pokemon region map.
This is also the first time I’ve used one of the new 35 DMC colors, specifically 03, the grey at the top and bottom.
Everyone loves a good collection of threads, but unless you have the whole set of DMC threads you’re going to need a way to keep track of what you have, and haven’t got. That’s why we created this awesome colored spreadsheet of all standard, metallic, variations, variegated, Coloris and Étoile 6 strand DMC threads, so you can keep track.
Just click the link or image and save the spreadsheet. You can access it on your computer, phone, or put it through googledocs!
It’s been a busy few months for the DMC thread company, with the addition of 35 new threads back in September, and now, a whole new set of specialist threads for October.
These 35 new threads dubbed the “DMC Mouline Etoile” (star mill) series are 35 new six-strand threads with the slightest sparkle added to them. They still work in the standard way a 6 strand thread would, but they offer a smaller amount of interest than the standard threads. I’ve actually been able to get hands-on with a small section and confirm they’re rather smooth and stitch well, something which specialty threads have struggled with in the past. They come in these standard colors:
(C)ECRU, (C)BLANC, C310, C318, C321, C415, C433, C436, C444, C471, C519, C550, C554, C600, C603, C666, C699, C725, C738, C740, C798, C814, C816, C820, C823, C840, C890, C900, C907, C915, C938, C972, C995, C3371, C3799
Unlike the 35 non-sparkly threads that came out in September, not much is being made of these new threads, which I personally find interesting. I think the timing is probably one issue. I know that September and October are filled with stitching up Halloween and Christmas stitches, so they might have missed the boat slightly when it comes to timing. It’s clear that these threads probably won’t be used outside of special occasions, and Christmas and Halloween were the time to use them. Sadly, thanks to this I think the Mouline Etoile range might struggle to sell.
But there is a second, and the slightly more interesting reason I think DMC has kept a bit quiet is due to competition, specifically with Anchor, DMC’s traditional rival. Anchor has a small set of Pearl Metallic threads which for all purposes are identical threads. Whilst Anchor have nowhere near as many threads in the range as DMC do now (only 6), with cheaper Chinese brands such as CXC gaining traction, DMC are starting to feel the pinch, and they want to be seen as the one brand pushing thread boundaries, the ‘top dog’. In fact, the Coloris range from DMC released in early 2018 was for exactly the same reason.
It’s clear that this year DMC has gone out of their way to match and exceed Anchor’s threads, and now they have a larger set of classic threads, and specialty. However cheaper brands are really getting some steam at the moment, so I wouldn’t be surprised if 2019 had some new threads too.
I’ve heard a shocking amount of people talk about the backs of the cross stitch, including some of my stitching friends. And honestly; no one cares. At all.
Here’s the thing; the back of your cross stitch CAN be neat, but sometimes it just CAN’T. The reason is all about the pattern.
Let’s explain with some examples. Here, we have a fantastic Mew cross stitch by The Celtic Crafter. Its a pattern made up of about 4 colors and they’re all nicely placed, so the back is nice and neat.
However let’s take another example, of a highly skilled cross stitcher, My Poppet Makes, who’s back looks a little less clean. Now, this back HAS to be like that, with small stitches all around and colors on both sides of the work, the threads have to jump on the back, with its small size making them look much less neat. But let’s be clear; its not better or worse. Just less neat.
So I should never care about the back of my work?
You often hear people talk about the back of your work in terms of two things; framing and skill. So let’s address both.
I’ve heard a few people mention this, even really experienced stitchers, however, the back has no impact on the framing of cross stitch. The issue comes from home framing and people not using the correct framing system. You can check out a great guide on framing cross stitch, in which we mention the use of foam board. This foam; super important. It means that any of those little messy blemishes on the back are hidden, and can’t be seen when framing.
Here’s where those naysayers are slightly right. When stitching the lack of mess on the back of your works usually means you’re more economical. Some take this to mean skill. However, we circle back around to the original statement; sometimes you can’t make a clean back. I know people might be nervous about their work, so I’ve taken an example from Shutterstock that shows the back is sometimes just messy, and its all thanks to the pattern. This pattern has colors all over it, with floating confetti stitch plenty, meaning you just won’t be able to make it neat.
If you’re still bothered by the comments though, be rest assured that your back will be cleaner as time goes on and you learn those little secrets about cross stitch. But don’t be surprised when sometimes your back is a mess! It happens.
So where does the rumor come from?
When the Japanese first came across cross stitch when a samurai accidentally brought cross stitch to Japan we started seeing neat backs. Backs that were far neater than European examples and the idea that the backs should be similar to the fronts came with it. However, that’s simply down to culture. Japanese people have a rich history with embroidery, and in particular, sashiko, which includes a stitch called ‘cross stitch’. You can see what when counted cross stitch came to Japan is was obvious that they would follow the same rules they did for their sashiko. One of these rules, in particular, is that the front should look like the back. This is mostly down to how they stitch sashiko, but when the European’s started seeing Asian cross stitch the rumor came about that they were far more skilled and everyone should try to make their backs neat.
Once again, I have awesome news to tell you all! I’ve got another kit book out!
This time we delve into the classic paintings of the past, with a Fine Art Cross Stitch kit, complete with 12 patterns from Mondrian to Da Vinci.
Cross Stitch Creations: Fine Art turns your needlework from a craft to fine art by showing you how to recreate the classic masters’ finest works.
Take your needle art to the next level and recreate some of the finest masterpieces in history! Cross Stitch Creations: Fine Art presents to you a myriad of patterns that will channel the master artist in you. From van Gogh to Klimt to Munch, the projects and artists found in Cross Stitch Creations: Fine Art represents a wide range of art movements in the painting world as a whole. The clear, step-by-step instructions and full-color photographs for the 12 included projects allow you to decorate your walls with the master’s most iconic works of art in the classic medium of cross stitch!
Cross Stitch Creations: Fine Art includes a 64-pg instruction book which shows you how to create works originally painted by van Gogh, Klimt, Matisse, Hokusai, and many others.
You can get your copy from Quatro (the publisher) now!
I’ll be posting some of the completed peices over the next week, so keep your eyes out for them!
Two bits of news in one day? Yep! I’ve got two kit books out this month!
12 fun and simple emojis to stitch your heart away at, with enough thread in the kit to stitch up to 4 emojis (but definitely at least 2)!
Stitch 12 Iconic Patterns to Communicate with Your World!
Even when you can’t find the right words, you can always find the right emoji! Frame these sweet and sassy little symbols as art or embellish clothing, linens or a throw pillow!
Emoji Cross Stitch includes the patterns to craft twelve of the most popular emoji, along with all the materials to make to finished projects. The 64-page book offers clear step-by-step instructions and full-color photographs, suitable for beginners and experienced stitchers alike.
Gridding isn’t often talked about in cross stitch, its often seen as an ‘if you want to’ kind of task, however, gridding is actually one of the best things you can do.
Simply put, counted cross stitch requires (you guessed it) counting. The time you take to count can not only be massive, but you can, and often do, miss count requiring mass unpicking. Gridding stops all of that. In fact, one of the products we’ll talk about says it can cut stitching time by one third!
So with that in mind, what exactly is the best way to grid your cross stitch? Well, it’s all a matter of choice. We’ve taken the most popular ways and detailed them out so you can give them a shot.
Easy Count Guideline
You’ve probably seen gridded cross stitch on the internet, with red lines crossing. The likelihood is that its Easy Count Guideline, which works as a thread, but instead of being made from cotton is a thin wire. The advantage of this is that is doesn’t get caught up in your stitches and when you’re done you can simply pull it out. It is, by far, the most common gridding technique and I personally use it myself. However, its also the most expensive with costs of about $6 for 10m. It’s also technically a ‘secure object’ in the EU, so you must be 18+ to buy it.
I hear you all saying to yourselves “so why can’t I just use thread instead?” well, you could, I just wouldn’t suggest it. The issue with single threads is that you can stitch through them, meaning when you go to pull out your thread; you can’t. Not only that but as its part of the stitch now, you can’t cut it out easily. This means that your guideline, which is normally a bright color can’t be removed, ruining your stitch.
But that doesn’t mean you can’t use it, in fact, for backstitching projects its a fantastic idea!
“Fine, but are there cheaper options? I’ve heard people use fishing line?” True, you can use fishing line, and the fishing line is often cheaper than the official stitching alternative. I’ll even let you into a secret; Easy Count Guideline is actually just fishing wire. The difference, however, comes in thickness of the wire. There are a lot of fishing wires that would work OK, but the thinner, the better. Look for wire rated less than 8 pounds.
Easy Count Pre Grided Aida
Easy Count aida, is made by Zweigart and simply has lines built into the fabric. This line is when washed away once you’re finished. It is more expensive than standard aida, and doesn’t come in as many colors. To make things a little worse, the lines take up the space of a stitch, and not in between the lines like patterns are marked.
Magic Count Pre Grided Aida
Very similar to Easy Count, DMC make their own, called Magic Count, which has the advantage of being a little easier to see, but holds the DMC price tag to boot.
Finally, there are erasable pens. Whilst erasable pens were my first stab at gridding, you soon realize there are a few issues. The first is that they don’t wash out as easy as you’d like, meaning you sometimes need to give your cross stitch a hot bath once you’re finished which does impact the threads, especially metallics. Secondly, much like the pre-printed aida, you can’t stitch on the lines, meaning you have to take up a line of stitching, which could possibly throw your count off.
Once you’ve decided on your gridding technique check out this video from Peacock & Fig on how to grid:
The rise of Artificial Intelligence in art, and just how close we are to a robot creating a masterpiece is a serious issue in the world of art. However, for a mostly hands-on crafted hobby like cross stitch, robots aren’t often spoken about. However, there is one robot, in particular, that is making waves in cross stitch…
How close are we to a robot cross stitch artist?
Really close. Really really really close.
Sewing machines have been around a long time, and the fact that they can complete a whole slew of stitches makes the art of patch embroidery possible, such as the awesome work of NAME.
However, in the last 5 years, sewing machines have been able to cross stitch too.
Last week we looked at the iconic IKEA cross stitch mail out. The point of the marketing campaign was to appear handmade, however, they produced 40,000 of the letters, on machines. It kind of missed the point in my eye, however, it just goes to show, that cross stitch isn’t just a handmade craft anymore.
The one good side? The cost. These machines are at the lowest $1000 and you just don’t see that many around. Thankfully, for now, at least, cross stitch will remain wholly in the handmade.
And for any of those who want to know if it’s handmade or not, the machines can’t stitch on aida properly, so they normally stitch on linen.
The IKEA cross stitch mailout is fairly well known in our community, however, whilst researching another story, this old chestnut came back with a rather interesting video, as seen below, and I wondered just how many of you knew the story of the mailout in the first place.
It all starts with a brief, and in this instance, IKEA wanted to collect email addresses of high purchase buyers that hadn’t yet given it. The marketing agency LIDA took up the call and looked into IKEAs brand promises. The one that stood out the most? Handmade. The second? Craft.
To all of you reading this, that should scream cross stitch, and with good reason too. Cross stitch has always been a craft that uses the hand, and for a very long time, something that only the hand could do, machines just weren’t able. However as the above video shows, new embroidery machines can match the cross stitch action, and whilst they can’t hit the holes in aida very well, they can make a very good facsimile.
Machined and sent out to 40,000 IKEA family members, the marketing campaign was the best the company had ever produced and sparked a follow-up campaign using a printed cross stitch postcode, which won a whole slew of awards.
Jonathan Goodman, Managing Director at LIDA says “The Handcrafted campaign is IKEA through and through. It engages their customers by showing them appreciation and the message is delivered with craft and care. It was a pleasure to be given the brief to ‘send an email without an email address’ and to be given the freedom to create something that will demonstrate both the effectiveness of high-value DM, as well as the relevance of email communications.”
Whilst for most the IKEA mailout was a fun marketing idea, for us cross stitchers I think we need to look at just what our craft represents. We are handmade.