New Moon on Tokyo Tower Cross Stitch by Lord Libidan

New Moon on Tokyo Tower Cross Stitch by Lord Libidan
New Moon on Tokyo Tower Cross Stitch by Lord Libidan

Title: New Moon on Tokyo Tower
Date Completed: June 2019
Design: Lord Libidan
Count: 18
Canvas: Navy
Colors: 19
Pop Culture: Japan
 
When the editor of the Xstitch Mag announced the new theme for issue 9 was going to be oriented; I knew exactly why. A few months before I have shown him a preview of my Moon Light in Yasaka Pagoda Cross Stitch (just before I decided to remove the Pokemon from it), and showed him what an awesome theme it could make.
 
However, that turned out to be a little problematic. The piece of art I used to make that cross stitch was still under copyright, meaning I couldn’t give the pattern to the Editor. Instead, I had to make my own. Now, I loved Asano Takeji’s work and thought I could riff on his style, whilst bringing it slightly more modern. To do this I researched when the ukiyo-e style went out of fashion. It was roughly the 1870’s. That meant that none of the modern Japanese buildings would be captured in the form.
 
Having visited Tokyo a few years prior, I also felt that the new Tokyo Skytree overshadowed Tokyo’s previous iconic tower; The Tokyo Tower. Following the American occupation of Japan, in the 1950s, Japan wanted to celebrate its newfound freedom with a new and audacious tower. Based on the Eiffel Tower they constructed a new tower, which was originally planned to be painted Bronze, but due to height regulations at the time had to have a red and white candy stripe paint job.
 
The tower, when completed would have been a beacon to all of Japan that they were back in charge, and were once again, ready to enter the world stage. However, at the time, modernization hadn’t come to a lot of Japan, meaning a lot of streets were traditional in design. I really wanted to combine this design to show both the new Japan and traditional Japan side by side.
 
To do this I combined images of Tokyo Tower, and a preserved traditional street in Tokyo, ironically next to Yasaka Pagoda, Sannen Zaka Street. I then lowered the tone of color to show a deep night sky, free of moonlight, to differentiate it from my previous Asano Takeji piece.

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